Non-masculine Roles in Othello Essay -- Othello essays

Non-masculine Roles in Othello  Ã‚        Ã‚   In William Shakespeare’s tragic drama Othello the three women characters have interesting roles. Through the dialogue and action other roles are stated or implied as applying to women.    In â€Å"Historical Differences: Misogyny and Othello† Valerie Wayne presents Desdemona’s reaction to Iago’s verbal expressions concerning women’s role as sexual objects:    Iago instead claims that four different kinds of women are sexually wanton: either their beauty or intelligence help them to bed, or their ugliness or foolishness get them there anyway. Fair or foul, wise or foolish, women are all whores to him. Desdemona dismisses this ‘miserable praise’ as ‘old fond paradoxes to make fools laugh i’ th’ alehouse’ (136-7), but it is a particularly rank form of such mockery that dilates in every instance upon women as objects for sexual use and then blames them, as whores, for a use constructed by that discourse. (163)    At the outset of the play Iago persuades the rejected suitor of Desdemona, Roderigo, to accompany him to the home of Brabantio, Desdemona’s father, in the middle of the night. Once there the two awaken the senator with loud shouts about his daughter’s elopement with Othello. This is the initial reference to the role of women in the play – the role of wife. In response to the noise and Iago’s vulgar descriptions of Desdemona’s involvement with the general, Brabantio arises from bed. Iago’s bawdy references to the senator’s daughter present a second role of women – that of illicit lover. With Roderigo’s help, he gathers a search party to go and find Desdemona and bring her home. The father’s attitude is that life without his Desdemona will be much worse than before:... ...er own husband as the evil mastermind behind the murder results in Iago’s killing her. Despondent Othello, grief-stricken by remorse for the tragic mistake he has made, stabs himself and dies on the bed next to his wife.    Thus it is seen that the roles of women are many and varied – and are key to the successful development of the story.       WORKS CITED    Bevington, David, ed. William Shakespeare: Four Tragedies. New York: Bantam Books, 1980.    Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.    Wayne, Valerie. â€Å"Historical Differences: Misogyny and Othello.† The Matter of Difference: Materialist Feminist Criticism of Shakespeare. Ed Valerie Wayne. Ithaca, NY: Cornell University Press, 1991. e implicates

An Ode to My Sunglasses

An ode to my sunglasses There is something about my golden aviator sunglasses that is more than sun protection, more than anybody else can ever imagine. Every time I put them on I instantly become happier. A lot of women around the world have the same pair, as they were mass-produced by the brand Guess, and so mine isn’t unique at all in that sense. Neither is my happiness triggered by a materialistic satisfaction by wearing a â€Å"brand†.I received them from a special person, when I was ready to draw mental punctuation mark in my life. Those punctuation marks in life, often called phases, more often misused – the reason I call them punctuation marks. You drew them on the day you lost something or someone special, the day you realized that your parents were human, the day you got your first paycheck, and so on. You will draw your full stop when you have reached your end.When I put on my sunglasses, my eyes are immediately drenched in a creamy vision, the world a s I know it becomes beige. Everyone feels a sense of detachment when they wear their sunglasses, you feel like you could spy on people without them noticing, or you could camouflage a burse, your red shoot eyes, or to simply help you from yielding to your terrible hangover. But my sunglasses are special to me, because when I put them on, I feel detached from all the sadness of the world.When the world is dipped in that smooth beige, time is no longer a burden that drags me down. A year ago I found myself on a beach in Istanbul, a city I am used to going when I need to escape from something or someone – people were chatting, laughing, with the energy and the heat I felt like I could hardly breath. When I was sitting by the beach thinking about all that I have left behind in Vienna, that five excruciatingly long years of marriage, I was suddenly awakened by a woman’s voice.This tanned woman about the same age as me offered me a beer, when I took the beer I noticed her ha nds were almost pruned, way too old for her age, she comfortably sat down next to with a big smile that immediately warmed my heart. We began chatting randomly; she spoke with such passion about Istanbul, the street where she grew up, the places she’s been. She made me feel so comfortable that I couldn’t help but pour my heart out to her. We sat there chatted for three five hours straight. All that is very well,† suddenly she stopped me, â€Å"but all you are telling me is what other people needed,† she had the accent of a bird, â€Å"the help they needed from you. † she looked at me straight in the eye, no longer focused on the spectacular sea view, or fiddling with the sand with her pruned hands, the only hands that she depended on since the age of fourteen. The deep and penetrating look stunned me, those eyes looked like as if they were made of dark glassy stones, and she had the face that gives away the years of hardship she has been through. â €Å"What do you want?You need to think more for yourself, you need to take long naps, relax, be selfish! † she could see that I was nervous, so she began laughing, and I was suddenly tranquilized again in her warmth. â€Å"You need something to handle the sunset in Istanbul, it is the strongest and the most passionate sunset in the world! So, here you go / take mine and Make the world golden for you! † I took the Guess sunglasses from her hand, and as I put them on, the sky began to be ripped in half by the sunlight, with splashes of purple and red. That day a journey started and the end is written in the sky†¦

Poverty Can Be Defined As The State Of Being Inferior...

Final Paper 50% please write your 3-4 page paper below. Please include your name, date, etc. on this page. Include your topic as well. Hope Stokes Mrs. Dunham Economics Per 4 12 Dec 2016 Inevitableness of Poverty Poverty can be defined as the state of being inferior in quality or, the more popular definition, poor. If examined closely poverty can be found everywhere, in every nation, every city and society. To the world, poverty seems inevitable, however what if it s not? What if? Doubt may fill any sane person at this moment, however through research and several economist poverty has been deemed as avoidable. To avoid poverty, the causes of poverty must first be examined one by one and solved theretofore poverty can be avoided and eliminated. Poverty can be avoided through human will, the right government policies, and a the avoidance of young rash decisions. The American government, for example is one that from sole experience I know do focus their attention on poverty so much, that the presidential debates and elections almost always included the issue of poverty. Even with the national spotlight on poverty the question remains, how come poverty still exists? The answer lies within the way the government tries to fix poverty which has failed to work. The government policies and politicians the people The politicians appointed often do very minuscule things in order to actually make a vast change, on the other hand many argue it takes years to actually haveShow MoreRelatedPoverty in the United States755 Words   |  4 PagesPoverty in the United States is getting in inferior quality every day and nothing is being done about it. Many people who want to help the poor, but no one knows exactly how to help them. A primary reason for people not taking action is because of lack of information that is provided about issues on poverty. 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